The Boston Globe had a photo today of (above) one of the most beautiful stoneware sculpture by H. Nakashima at the Museum of Fine Arts. It prompted me to think about the beautiful 3-D curves in great fashion design. Nakashima’s sculpture has a feeling of motion in observing it, but fashion is greatest when on a moving human body.
One of my proudest 3-D fashion
sculptures is a 6-ply pure silk crepe I sold to Neiman-Marcus in 1958. (left) The cape
sleeves start as a sleeve in the front, form a cape in the back and come around
to the front to finish as a sleeve. It moves beautifully when moving your arms.
Another of my favorites that
illustrates fashion as a great moving 3-D sculpture is my “Sunburst” dress, of
bright orange silk pesante.(left) The accordion pleating goes all around the body and
comes together in one point in the front, finishing with a sunburst pin. The
pleating had an amazingly beautiful motion as the woman walked. The photo was
in a full page article in the Boston Sunday Herald in 1962. It was also a
favorite of my customers, who bought many of them.
Both of these styles required
great expertise in sculpting fabric in outer space, feeling the motion in “inner
visualization” – not fitting tightly
to a dress form or model, as so many young designers learn to do when draping
today – or when being committed to the rules of drafting. As Frank Gehry, the famous architect and
jewelry designer, said, “Beauty without rules.”
